Reconstruction and activation of the artistic heritage thanks to audiovisual technology. Experience of Taüll 1123

Gifreu Castells, Arnau

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dc.contributor	International Workshop on Higher Education (5th : 2015 : Vic)
dc.contributor	Universitat de Vic - Universitat Central de Catalunya. Grup de Recerca Konekto
dc.contributor.author	Gifreu Castells, Arnau
dc.date.accessioned	2015-07-09T09:53:33Z
dc.date.available	2015-07-09T09:53:33Z
dc.date.created	2015
dc.date.issued	2015
dc.identifier.uri	http://hdl.handle.net/10854/4091
dc.description.abstract	With the aim of preserving artistic heritage, in the past museums have removed paintings and furniture from the places they were created for. Over the decades the curators of these places have begun to request that these artistic works be returned, conscious of the significance that many of these works now have. Some institutions and museums have responded to these requests by providing copies of the original works. Traditionally these copies were handmade but now digital resources are used, such as audiovisual technology. The project Taüll1123(Lleida, Spain) is an example of the use of these new tools for the benefit of the artistic heritage and its visitors.	ca_ES
dc.format	application/pdf
dc.format.extent	1 p.	ca_ES
dc.language.iso	eng	ca_ES
dc.rights	Aquest document està subjecte a aquesta llicència Creative Commons	ca_ES
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/3.0/es/	ca_ES
dc.subject.other	Patrimoni cultural	ca_ES
dc.subject.other	Museus	ca_ES
dc.subject.other	Objectes d'art	ca_ES
dc.title	Reconstruction and activation of the artistic heritage thanks to audiovisual technology. Experience of Taüll 1123	ca_ES
dc.type	info:eu-repo/semantics/conferenceObject	ca_ES
dc.rights.accessRights	info:eu-repo/semantics/openAccess	ca_ES