Repositorio Dspace

Listar por autor "Pradell, Trinitat"

Listar por autor "Pradell, Trinitat"

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  • Pradell, Trinitat; Molera Marimon, Judit; Molina, Gloria; Tite, Michael S. (Elsevier, 2013)
    Lustre is a product of skilled artisans and its production was spread to different regions by the migration of artisans. Each lustre production has its own peculiarities not only in the composition and microstructure of ...
  • Molina, Gloria; Murcia, S.; Molera Marimon, Judit; Roldan, C.; Crespo, D.; Pradell, Trinitat (Springer, 2013)
    Yellow decorations in glasses have been produced since the beginning of the fourteenth century by incorporating metallic silver nanoparticles into the glass (from a few to some tens of nanometers). The optical response ...
  • Gutiérrez, Patricia Carolina; Pradell, Trinitat; Molera Marimon, Judit; Smith, Andrew D.; Climent-Font, Aurelio; Tite, Michael S. (American Ceramic Society, 2010)
    Golden-like luster decorations on glazed ceramics from early Islamic times (9–12th centuries AD) consist of a nanocomposite submicrometric layer made of silver metal nanoparticles. The color and golden-like reflectivity ...
  • Pradell, Trinitat; Molina, Gloria; Molera Marimon, Judit; Tite, Michael S. (University of Oxford, 2016)
    The very rare find of the relic of the original lustre pigment attached to the glazed surface of a sherd of 13th century AD Raqqa type lustreware from Syria has been analysed using a combination of analytical scanning ...
  • Pradell, Trinitat; Pavlov, Radostin S.; Gutiérrez, Patricia Carolina; Climent-Font, Aurelio; Molera Marimon, Judit (American Institute of Physics, 2012)
    Lusters are composite thin layers of coinage metal nanoparticles in glass displaying peculiar optical properties and obtained by a process involving ionic exchange, diffusion, and crystallization. In particular, the ...
  • Pradell, Trinitat; Molera Marimon, Judit; Smith, Andrew D.; Tite, Michael S. (Elsevier, 2008)
    This paper presents a study of a representative selection of lustre ceramics dating from the last quarter of the 10th century AD to the second half of the 13th century AD from Egypt, Syria and Iran. The study concentrates ...
  • Di Febo, Roberta (Universitat de Vic - Universitat Central de Catalunya, 21-10-2019)
    Crystalline phases inside ancient glazes can have different origins: unreacted compounds (thus already formed before the glaze formation), crystallites developed during the glaze production or devitrification crystals ...
  • Molera Marimon, Judit; Iñañez, Javier; Molina, Gloria; Burch, Josep; Alberch, Xavier; Glascock, Michael D.; Pradell, Trinitat (Edizioni Nuova Cultura – Roma, 2015)
    Lustre pottery unearthed at Mas Llorens constitutes one of most interesting collections of late 16th and early 17th centuries lustre pottery from Catalonia. The collection is formed by an unparalleled set of more than ...
  • Molera Marimon, Judit; Coll, Jordi; Labrador, A.; Pradell, Trinitat (Elsevier, 2013)
    In this study we will show the differences in the technology of production of the manganese decorated glazes from early black and green Caliphal pottery (10–11th century AD) from Murcia; green and brown Hispano–Moresque ...
  • Iñañez, Javier; Madrid-Fernández, Marisol; Molera Marimon, Judit; Speakman, Robert J.; Pradell, Trinitat (Elsevier, 2012)
    This paper assesses the impact of European ceramics on preexisting American potting technologies. Specifically we investigate the technological features of pigments used for production of colonial American majolica. In ...
  • Pradell, Trinitat; Molera Marimon, Judit; Salvadó, N.; Labrador, A. (Springer, 2010)
    The production of glass represented an important technological achievement, and it was the starting point for the invention of a large variety of materials, produced by processes involving melting, partial or total, and ...
  • Pradell, Trinitat; Molera Marimon, Judit; Smith, Andrew D.; Climent-Font, Aurelio; Tite, Michael S. (Elsevier, 2008)
    Replications of the lustre layers have been produced using laboratory-controlled conditions, based on a 13th century AD lustre recipe. The characteristics of the lustre layers obtained by using different paint and glaze ...
  • Molina, Gloria; Tite, Michael S.; Molera Marimon, Judit; Climent-Font, Aurelio; Pradell, Trinitat (Elsevier, 2014)
    Lustre is a decoration consisting of a few hundreds of nanometres thick surface layer of silver and copper metal nanoparticles incorporated intothe glaze. Polychrome lustreware with several combinations of colours and ...
  • Pradell, Trinitat; Molera Marimon, Judit; Pantos, E.; Smith, Andrew D.; Martin, C.M.; Labrador, A. (Springer, 2008)
    Luster is a golden metallic-like decoration produced on glazed ceramics since early Islamic times (Iraq, 9th AD). Luster is obtained by the reaction of a luster paint and the glaze surface over which it is applied. A ...
  • Pradell, Trinitat; Molera Marimon, Judit; Smith, Andrew D.; Tite, Michael S. (Elsevier, 2008)
    In this paper the study of four significant lustre samples covering 9th century AD polychrome and 10th century AD monochrome lustre from Iraq is presented. The samples selected are representative of the earliest known ...
  • Di Febo, Roberta; Molera Marimon, Judit; Pradell, Trinitat; Melgarejo, Joan C.; Madrenas, Josep (The American Ceramic Society, 2017)
    Galena, also known as PbS, was widely used in the production of lead glazes from the beginning of the 18th century to the second half of the 20th century. Although the PbO-SiO2 system has been studied for years, the ...
  • Pradell, Trinitat; Molina, Gloria; Molera Marimon, Judit; Labrador, A.; Pla, Joaquim (Springer, 04-2013)
    The compounds responsible for the colours and decorations in glass and glazed ceramics include: colouring agents (transition metal ions), pigments (micro-and nano-precipitates of compounds that either do not dissolve or ...